Shy Radicals: The Antisystemic Politics Of The Militant Introvert
Drawing together communiqués, covert interviews, oral and underground history of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people.
Radicalised against the imperial domination of globalised PR projectionism, extrovert poise and loudness, the Shy Radicals and their guerrilla wing the Shy Underground are a vanguard movement intent on transrupting consensus extrovert-supremacist politics and assertiveness culture of the twenty first century. The movement aims to establish an independent homeland – Aspergistan, a utopian state for introverted people, run according to Shyria Law and underpinned by Pan-Shyist ideology, protecting the rights of the oppressed quiet and shy people.
Shy Radicals are the Black Panther Party of the introvert class, and this anti-systemic manifesto is a quiet and thoughtful polemic, a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia.
Shy Radicals author Hamja Ahsan is an artist, curator and activist based in London. He is the Free Talha Ahsan campaign organiser. He has presented art projects at Tate Modern, Gwangju Biennale, Shaanakht festival Pakistan and Shlipa Academy, Bangladesh. He co-founded DIY Cultures Festival in 2013.
Common Objectives is a series of quick-fire, rapid-response projects from artist/writer collectives or individual art practices engaged with emerging political struggles, rejecting the idea of culture as a playground for the elite, engaging in the potent mix of free discourse, solidarity and the production of new desires and prepared to break open old worlds, either in the virtual space of communication and networks, or in the concrete world of action, discourse and distribution. Other projects in the series include: After The Night by Everyone Agrees; Bad Feelings by Arts Against Cuts; Counsel of Spent by Inventory; Even the Dead Rise Up by Francis McKee; Move...ment, a new issue of the journal ...ment, edited by Federica Bueti; The Night by Michèle Bernstein, translated by Clodagh Kinsella and edited by Everyone Agrees; and Pre-enactments by Victoria Halford and Steve Beard.