We Were Here: Sexuality, Photography, and Cultural Difference: Selected writings by Sunil Gupta

Newspaper articles, speeches, and essays show Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
Contributor Bio(s)

Sunil Gupta (born in New Delhi, 1953) is a photographer, curator, writer, and activist. Gupta migrated to Canada at the age of fifteen. He was educated in photography at the New School, New York (1976) and the Royal College Art, London (1983). Over a career spanning more than four decades, Gupta has maintained a visionary approach to photography, producing bodies of work that are pioneering in their social and political commentary. The artist's diasporic experience of multiple cultures informs a practice dedicated to themes of race, migration, and queer identity-his own lived experience a point of departure for photographic projects, born from a desire to see himself and others like him represented in art history. Gupta's work has been exhibited internationally and published in numerous monographs and catalogues, including Christopher Street, 1976 (2018) and From Here to Eternity (2020).